Episode 081: Nick Hamilton - The Golden Cage

Full episode info and Show Notes - www.wearelookingsideways.com I go way, way back with legendary snowboard photographer and Transworld lifer Nick Hamilton. We first met in the mid-90s, and subsequently spent a glorious 6 year period putting together Whitelines magazine as part of a team that included friends and colleagues such as Ed Leigh, Chris Moran and Tudor ‘Chod’ Thomas. Nick was always destined for greater things, and it was no surprise when in 2001 he was headhunted by Transworld Snowboarding, subsequently moving to Cali to work first as Photo Editor and then as Content Director. His old friends, myself among them, watched on proudly as his career flourished, overseeing Transworld’s expansion into the digital realm, stewarding the most famous title in snowboarding to ever greater heights and becoming one of the most well connected and respected people in the industry. As a photographer, Nick is rightly legendary. And the story of how he carved out one of the most enviable and influential careers in the industry is equally enthralling. There’s also nobody better to pass comment on the state of modern action sports media. In this conversation, recorded at Nick’s Cardiff home in April 2019, we delve into the entire story. It’s an epic that takes in Nick’s own extraordinary tale, but also traces the evolution and changing of the media landscape, an ongoing upheaval Nick has witnessed first hand. We also dig deep into the recent developments that have seen Transworld shuttered permanently in the wake of a much-publicised takeover by American Media and which has seen Nick finally end his association with the title after almost two decades. In making this show, I’ve been lucky enough to interview some of the biggest names on the planet. But there’s something special about grabbing a couple of beers and sitting down with one of my oldest friends to reminisce about old times and their own extraordinary career. Hope you enjoy the episode. Thanks as usual to Matt Ward for the theme tune, and to my new editor Fina Charleson.